Tag Archives: photography

‘Home Grown’ diary project – the photography update …

Recording Veggie McVeg patch project on my iPhone…

Sometimes the best camera to use, is the one you have to hand…

ISO, shutter speed, aperture, exposure settings, focal length, focusing… I could go on and to many people this is like a foreign language and they glaze over and switch off… so my observations and comments in this blog will be kept technically easy peasy. My current phone is fairly middle of the road and not one of your top of the range models. By the way, you don’t need high end editing software. Look for the editing capabilities that your phone camera will have, or, look for some freely available editing apps out there that you can use – these will help with simple cropping, rotation, light adjustments, contrast, colours and the like.

As great as it is to have my pro camera (the big C) to use, I also get a lot of fun from using the one on my phone and this was the ideal choice to record my ‘Home Grown’ garden project. Why, well outside (even on a dull day) there is plenty of light to capture good shots. Also, I spent a lot of time (certainly in the early days) preparing, planting, thinning, potting out, keeping it all protected… and lots of watering… and I didn’t really want to spend equally long amounts of time taking photographs. It was fun, but functional to tell the story with visuals, in (hopefully) an interesting way.

First thing was to make sure my cameras grid lines were switched on… oh and that my lens was clean – generally speaking throughout the images, I’ve tried to keep horizontal lines, not perfect, but as straight as possible where that was the intention. Sometimes though, the best illustration is to get a good perspective angle. Also, caution here, depending on how close you have your phone to your subject, you will see some distortion in relative distance and size.

vegetables, fruit, grow your own, new skills,
A perspective angle, to show the area in the early days…
vegetables, home grown, growing
Not quite the same angle, but similar, to show a more recent state of the main veg patch.

Then there is the angle you take the image from… phone cameras are very sensitive to small variations in tilt – either left to right, or top to bottom… or both – and something you can be quite unaware of. Also make sure you know where your lens is pointing from… is it top right/left, or would you get a better angle to turn it 180 degrees so the lens is bottom right/left? Generally, I needed to take a shot just above and looking down at a slight angle, to illustrate what was in a particular pot or tub, but not too high that it lost perspective. Probably the most challenging thing to get the angle right, was the lettuce house, because of the cloche over the top, which took two people to lift off and many a moment spent leaning in as far as I could get without falling over!!

tomatoes, home grown, vegetables,
Quite a good example, of the angle used to illustrate the small plants, without all their leaves merging into one another.

I had a few challenges getting either close enough or the right angle, not just for the ‘viewability’ of a shot, but if the sun was out that day and reflecting straight onto my viewing screen… I couldn’t see a thing. Talking of sunlight, this made a difference to the time of day I captured things and the direction I took the shot from. However, given that most days it would be first thing, or late afternoon I’d be out checking on the garden, that was the best time to be taking photographs. But any time during the day at weekends, when many of the longer tasks were completed, the light is more of a challenge, especially when part of the garden was in sun and part in shade – so bear this in mind. The evenness of your light will make a difference to the success of your shot, unless you are intentionally going for a more artistic contrast effect.

lettuce, salad leaves, grow your own,
Just got away with some mottled sunlight and shade, and the angled perspective helped.
This flower taken in very full and strong sunlight just worked in its beauty and detail… they don’t stay open for long!

What I enjoyed the most were the detail shots… where I got in really close to the subject to illustrate a point I was making. This often involved delving under a quantity of foliage to get an interesting angle. Getting to know your cameras focusing distance is important here, to make sure your image is sharp. You can also achieve an effective ‘depth of field’ when getting up close to your subject, which will help highlight what you’re talking about… if you get your focus point correct.

tomato flowers, vegetables, home grown
I got right under this tomato flower to capture its detail, which worked with the dark background of the shed behind.
bees, pollenation, wildlife
I was able to get right onto the bees level and get him sharp as the flower conveniently sloped away to the front.

I hope the above has been of interest or useful and from now on, I’m going to spread out the recording of the fruit and veg growing, as time is needed on more work related projects. However, I still hope to do a couple more updates, as there are still things to learn, harvest and sow šŸ™‚

For next time, among other things, baby tomatoes have appeared šŸ™‚ …

Do enjoy your summer šŸ™‚

When children are a bit quiet… what’s really going on?

As a child and in the middle of a brood of five, we had to learn to entertain ourselves much of the time. We were lucky to live in a rambling old farmhouse that my father renovated and had our own ā€˜playroomā€™, where nothing had to be tidyā€¦ as long as there was a pathway through the middle to get to some of it!

Itā€™s often assumed that when children are a bit too quiet, someone is up to no good! But from a childā€™s point of view, itā€™s probably quite different. Reliving elements of a much younger person, I can recall things that brought me much amusement ā€¦ just because you could. Out walking, you had to jump into puddlesā€¦ on the beach, digging holes in the sand trying to reach Australia. Collecting things and keeping secrets. Spending hours in the playroom making stables for my toy horses out of shoe boxes (we were allowed scissors in those days). Re-painting my bike frame with ā€˜tiger stripesā€™ (???). Creating cardboard guitars, so we (my brothers and sisters) could be a pretend bandā€¦ and numerous board games.

All this mischief happened and Iā€™m sure along the way we were told off for few things that went ā€˜too farā€™ā€¦ someone got a bit rough and someone ended up crying.Ā 

But I also remember it being a very creative time, lost in my own world of doing something, or, playing with my siblings and always enjoyed Christmas with them.

Relate that to a business world

Iā€™ve been rather quiet lately, with no time to post as much on social media or get newsletters and blogs out. I could say ā€˜Iā€™ve just been busyā€™, which is true, however as well as much photography, this has included several other projects, both on a personal and business front, and new work to arrange for 2020ā€¦Ā 

My ā€˜photography mischiefā€™ has included, weddings, families, horses, personal branding, headshots, modelling knitwear, food (a new one!) and Christmas parties.

In addition to photography, Iā€™ve stepped up my involvement with the FSB, hosting their Connect networking meeting in Bury and also becoming an Area Lead for Norfolk and Suffolk, taking me out and about across both counties.

So I want to take this opportunity to thank you for your support this year and wish you and yours a very happy Christmas and festive break. May your 2020 will be as creative and fruitful as Iā€™m ā€˜quietlyā€™ planning mine to be.

photography, Christmas, 2019, children, creative,

When children are quiet… what’s really going on?

Do testimonials work… do you read them or skip over??

When you’ve completed a successful shoot and your client is really pleased… should you always remember to ask Ā for a review or testimonial? This is usually the bit I forget!! … although some clients spontaneously provide one anyway šŸ™‚Ā 

I’m told google likes them, and sources like ‘Trust Pilot’ wouldn’t exist if people didn’t look for them – LInkedIn and Facebook have a business page ‘review’ feature, so I guess the answer is that you should. It feels like ‘self praise’ and blowing your own trumpet, but nowadays it’s much more about showing you are a credible and trustworthy business and who better to authenticate your services than happy customers.

So, do you read reviews and testimonials? Well, yes if I’m purchasing items from a source that I don’t know personally, they are very helpful. Or, researching the best item to buy on say, camera equipment. Does this apply to services too, especially those that are hugely personal, such as photography? In addition to ‘reviews’ and ‘testimonials’ we should add ‘recommendations’, as these are frequently asked for on places like Facebook.Ā I ask this, because most of my work comes via face to face networking and getting to know people, who in turn use and recommend my services.

Perhaps reviews, in addition to a solid portfolio, are mainly part of a credible and true presence online, including all the various social media platforms … will you read any further šŸ™‚ ??

” I can not begin to express the delight I felt when I saw our photos however the outstanding service started months before we got them!
For my 50th I wanted a picture of my family so hubby duly got a voucher from Penny and then handed over to me! Oh my what a pain pinning 4 sets of families and diaries to one Saturday. Penny was supportive and patient, no pressure just gentle reassurance that we would get there. So we got a date and we all turned up at the most beautiful house and gardens… chaos ensued with sorting two 3 year olds, two under 12 months and one teenager who needed to be serious.
Penny had taken the time to ask questions before hand so she knew all the likes and dislikes and all the names, plus Terry supported Penny and entertained the children and took additional pictures.

Thank you thank you thank you šŸ˜Š

If you are looking for someone who cares about the service they give and the shots they take then pleaseĀ use Penny – you will not be disappointed

Venitia Billings “

Canvas wrap, image, family photo,

All ready for delivery..

All ready for delivery…

#portrait #suffolk #family #together Family gathering

Quick tips – how to be in front of the camera:

If you are one of those people who feel mighty uncomfortable in front of a lens and you’ve not had the opportunity to work with a professional, I wanted to share a few ‘rules of thumb’ and tips to help, that you can take away and actively put into practice.

First of all, I firmly believe that the responsibility lies with the photographer to capture a good shot of someone – not that of the people being photographed. Everyone without exception can take a good photograph, no arguments – and if you are working with a professional, they should have the knowledge to guide you all the way through it.

There are exceptions to the rules and as a professional photographer, I work with the individual and capture what is right for them, as we are all different.

However in a ‘non’ professional situation, you have more control that you may imagine, because it’s unlikely there will be any guidance of where and how to be, whether you are seated, standing, on your own, or in a group. It’s also very doubtful you will be given an indication when the image is about to be taken.

1Ā When standing full on, or square to the camera, this is your widest angle and gives little opportunity to show your personality. If you stand sideways onto the camera, itā€™s going to look quite awkward turning your head so far to look at the camera and also shows all your outlines. 45 degrees towards the camera is your best angle and streamlines everything.

2 – Stand comfortably, either equal weight on each leg, or, place your weight on your back leg and allow your other leg to casually point forward. Hands can either be gently clasped in front of you, or behind.

3 – Angles to the camera are good – weā€™ve already mentioned in Tip1, but SMALL tilts of the head also help. The camera is at a more flattering angle if a little above you and less flattering if below you.

4 – All the above also applies to being seated in front of the camera.

5 – If you find yourself in a group, say at a party, wedding or family gathering, apply the above tips, focus on the fun of the event, allow a smile to come to your face and resist the urge to chatter. Watch the camera and wait until they have taken the image and put the camera away.

 

 

Is this you?

Weā€™re introduced at a networking meeting and a professional rapport was established. I viewed the photographers website and checked out their online presence. All the people in the images must be professional models as they all look great/at ease with their poses

Emails are exchanged. Hard questions have to be faced. What do I want? How can this ever work? All the what if’sā€¦ā€¦ā€¦ā€¦ā€¦ā€¦? I really donā€™t like my photograph being taken. I need to do this but Iā€™m really not comfortable in front of the camera.

Time and date agreed, deposit paid, confirmation received – there’s no backing out now!

The dreaded day arrives, I have a plan, take it steady, arrive calm and relaxed – not. What a calamitous morning, heavy traffic encountered all the way to the shoot (Oh the irony, strike me down now!) running late. What do I wear – grabbed a selection of shirts – some are slightly smaller than I remembered!

I arrive at the venue and Iā€™m greeted at the door, my nervous laughter mixed with babbling small talk – explaining the small shirts – why? WhatĀ  do we want to achieve – professional, friendly, approachable? All the while my insides are churning like a washing machine on spin cycle!

A backdrop, big lights with reflective umbrellas, but strangely an air of calm slowly begins to descend over me. The offer of a coffee delays the impending failure / gory experience. This is not going to work, how can I look good in a picture?

Lights, camera and action! Seated on a posing block, the heat radiating from the lights is akin to basking in the midday sun. Calming, soothing words of guidance, helping me find a comfortable position. Slight tilt of the head, right hand onto thigh and just dropĀ those shoulders. I interact with the photographer and their assistant, use my hands, my expressive side showing through. Big smile, drop the chin, a serious look. A slurp of coffee between poses, hey, this isnā€™t too bad!

Wow, I have a best side, but I knew that all along and this is all feeling so much better than I had anticipated. And relax.

Iā€™ve been sat here for thirty minutes already and time is flying by. All change and into the ā€œsmaller than I remember shirtā€ . I do believe that I can carry this off. The talking continues, adjusting position, lean forward from the waist, turn my face a little and back the other way.

And it’s over. Gather my things, the images will be ready within ten working days and I can view them in a password protected folder. Choose the ones that I prefer and they will be mine.

On reflection, that was a goods experience. I left feeling a lot better about how to be myself in front of the camera. Gone is the awkwardness and the toothy grimace masquerading as a smile.

Having a professional take the shots is so much more than someone just pressing a button. They can understand you and get the best out of you. That is when great shots are achieved.

 

Image copyright Penny Morgan Photography.

ā€˜I could never be on stage!ā€™

The driving factor of networking is to engage with people, promote your business and build those trusted relationships for future work.Ā  Being amongst 30 – 40 people together in a room, grabbing a coffee just to separate a little from the throng and watch. Listening to one conversation while eaves dropping on three others in your periphery. All kinds of folk, suited and booted, leopard print heels, jeans, casual shirts and the odd donkey jacket.

The organisers are making introductions, surreptitiously moving the participants in the ever changing dynamic of the room. PA, PR, building management and a holistic health practitioner is just brushing the surface of the gathered expertise. The noise, the communication, the body language, to be heard and observed. You could interject with a yes or no, a nod or a smile. Listening to people, donā€™t we all like to talk about ourselves? Looking for common ground, shared ethics and views, commonality is the driver.

But what has being on stage got to do with any of this?Ā 

What if running your own businessĀ orĀ a valued memberĀ of a bigger organisation could be likened to being in the best production youā€™ll ever perform in? You donā€™t have to learn a script, you already know it inside outā€¦ it’s the business you work inā€¦ and being yourself. Your personality, the way you dress, stand, behave and share your skills and knowledge of what you do, all tell an unfolding unique story of authenticity, honesty and personal leadership. How many of the connections you makeĀ leave you wanting to hear more,Ā like you might in a gripping production?

Stop the room and bring a camera in, many of the participants will melt into the wings and tuck themselves away from the forefront, they will appear distracted and their demeanour will change. But helping people to be themselves, help them get over their apprehension and nerves, in front of the greatest audience they could wish for, is all the camera is facilitatingā€¦ something we here at PMP Towers have made part of our own unique production.

What’s your experience networking and do you find it easy to be yourself?

Image copyright of Penny Morgan Photography

How much priority should we give ā€˜down timeā€™?

Easter is around the corner bringing with it a term holiday for those with children in school. Now what to do with the them? Is it a holiday for those in charge? ā€™Iā€™ll do that, if I have the timeā€™, or, ā€˜we’ll do it laterā€™. Do we find the time, or are we chasing our tails and it feels like another working week? Remembering the simpler times when we could work out where our friends were by who’s house they’d left their bikes outside and being told as kids to be home by tea time!

No mobiles orĀ internet, just our bikes and imagination.

Not pining for rose tinted nostalgia, too many reminders of dodgy clothing choices and shocking/questionable haircuts, but how much downtime do you book for yourself and your loved ones? The benefits of ā€˜head spaceā€™, enjoying the great outdoors and doing the things that bring enhancement to your lifeā€¦ why on earth donā€™t we give it a higher priority?

Future memories are being made today.

Outside is free. These things don’t have to be financially restrictive. Build a blanket den, hide & seek or get crafty – make stuff from, well, stuff! But are teenagers going to want to be involved with a ladybird search? Our past experience has included tame pheasants, quad bikes, dogs, sport, music, oh and imitating Mo Farrah and Usain Bolt, to name a few things weā€™ve captured with the teens of the family.

Picnic in the park, beach walks and nature trails, liking these simple things for what they are, not for the ‘likes’ it may achieve on social media is still pretty priceless.

Create your future memory this year.

Create your future memories this year. Ā  Ā Photograph copyright of Penny Morgan Photography.

The ā€˜Elephantā€™ in the room… a photographers focus.

So for the last two years, Iā€™ve talked about getting to grips with changing how we feel about being photographed.Ā Discovering just how many dislike it and/or the results, has been both eye opening and yet strangely not a surprise.

After developing the programĀ ā€˜Love Your Imageā€™,Ā to help people who donā€™t like being photographed change this mind-set, has been an interesting and rewarding journey.Ā Just about everyone thinks itā€™s a good ideaĀ and most will talk about it on a ā€˜generalā€™ level, but how open would you want to be to discuss this subject on a much more personal level? No so much I find. Often what we donā€™t like about our image may feel somewhat trivial or connected with vanity and nobody really wants to admit to being vain?Ā I hear so many different stories of why people donā€™t like their photograph taken,Ā but if you are in business,Ā can you afford to be an Eeore about it?

Being aware of your ā€˜Mind-setā€™Ā is being applied to many things these days and how you present yourself in images IS hugely important. Therefore so is changing your mind-set in front of the camera…Ā and change it YOU CAN… this is something that is within an individuals reach regardless of how you have felt… perhaps for many years?Ā With the right helpĀ andĀ guidance you can do this.

To change how you feelĀ and be among a growing group who have learned to ā€˜Love Their Imageā€™ has MANY rewards. Itā€™s neither trivial nor vain to decide to address this and the benefits are considerable.

The first step of the journey is:

  • Learning and understanding ā€˜whyā€™ we arrive at such an attitude.
  • Useful tips on ā€˜howā€™ to be in front of the camera and why they work!

… and when you feel brave enough…

  • A photo-shoot – that only you see the results, until you are ready to share.
And that’s just the start, to making it a permanent change.

This doesnā€™t ask anything more of you than a willingness to be open minded to change.

So consider this… and its nothing to do with your size… can the ā€˜Elephantā€™ in your roomĀ be ignored any longer…?

Elephant In The Room

Photograph copyright of Penny Morgan Photography

The Photo-less Photo-shoot – no photos… guaranteed!

Friday 27th May 2016, 10.00am – 12noonĀ ā€“ Bury St Edmunds
Ā£19.99 per person.

If you dislike being photographed and are less than happy with the results, then this seminar is for you!

Change your thinking and learn to ā€˜Love Your Imageā€™.

Happy ladies from Love Your Image

 

 

 

 

 

Number are limited, so BOOK NOW to secure you place!
Get in touch by phone or email – 0845 257 2038 – design@pennymorgan.co.uk

Turn what you learn to your advantage, for business and pleasure ā€“ come and find out:

  • Where the dislike comes from
  • Guest speaker Linda Barbour ā€“ Calm, confident you
  • Learn valuable tips for being in front of the camera
  • Discover the lasting benefits to both work and personal life
  • Boost your confidence

NO ONE WILL BE PHOTOGRAPHED!

ā€œReally enjoyed it and format was good. Felt there was privacy to sit in the audience and just watch, listen and then to chat afterwards. Great use of assistant, really helped get message across in a humorous and visual way.ā€ ā€“ K.N.

When?
Friday 27th May 2016 ā€“ 10am ā€“ 12noon.

Where?
The Active Business Centre, Bury St Edmunds.

Cost and how to book.
Ā£19.99 per person, includes VAT and tea/coffee.

Places are limited, so book your seat NOW.
Phone: 0845 257 2038
Email: design@pennymorgan.co.uk

For more information, please visit our website page.

This seminar is part of the ā€˜Love Your Imageā€™ program.

Love Your Image logo

 

 

 

If you feel you would like to go on and complete the program, all attendees of the seminar will qualify to book their photography session at a special rate ā€“ come and find out!

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Profile photography day – 17th May 2016

Another head shot day is setĀ for 17th May, at The Bury Farmers Club and in conjunction with The Best of Bury St Edmunds.

If you would like to update, refresh, or have brand new profile images, take advantage of this day. You can stay ahead of your competition buy having great profile photographsĀ that represent you and your business – suitable for print, website and social media!

Individual sessions will be up to three quarters of an hour and you can book your session time by getting in touch and reserving a space. Your shoot will include 3 high resolution images of your choice from the edited selection.Ā These will be available to view in a private online folder and always the option to purchase more if you wish. Choices will be made available to download from the website.

Special prices for this day are Ā£90 for Best of Bury members and Ā£100 for non members – prices include VAT.

WallofFame6

To book your session, contact me by email – design@pennymorgan.co.uk, or phone 0845 257 2038.

Deposit payment of Ā£50 will be required to secure your session and payment details will be provided together with a VAT invoice.

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